"Zerrissne Saiten einer überlauten Harfe ..." Deutschjüdische Dichter der Bukowina 🔍
Petro Rychlo
Ibidem Verlag, Ukrainian Voices 58, 1., 2024
英语 [en] · 德语 [de] · PDF · 1.3MB · 2024 · 📘 非小说类图书 · 🚀/lgli/lgrs · Save
描述
This collection of essays and articles, written between 2019 and 2024 for such outlets as The Daily Beast and The Center for European Policy Analysis (CEPA), illuminates recent Russian international affairs through the lens of Moscow’s propaganda tactics. For more than two decades, the Kremlin’s agitators have been tasked to lay, in advance, the groundwork for various domestic and foreign actions by the regime of Vladimir Putin. Thus, Russian state-controlled media provides crucial clues for deciphering the—often sinister—goals that the government of Russia was and is planning to pursue abroad, from election interference to military invasions. The goal of the sum of these activities is the establishment of a new world order—with Russia at its helm. Before the large invasion of 24 February 2022, Russian state media portrayed the West as incapable of opposing Russian aggression. Putin’s propagandists cheered for war against Ukraine, predicting it would be quick and victorious. Misreading the ability of the West to unite and miscalculating Russia’s capabilities in confronting determined Ukrainians, Russia ended up in a quagmire of its own creation. In 2024, Putin’s decorated propagandists face the possibility of future scrutiny and potential prosecutions for their proactive incitement of genocide. They unravel, along with the Kremlin, having to tell multiple conflicting stories and condemn the same players they used to lionize. Backed into the corner, they resort to nuclear threats and demand even more blood from Ukraine, whose only crime is its desire for democracy and freedom.
Erscheinungsdatum: 10.06.2024
Erscheinungsdatum: 10.06.2024
备用文件名
lgrsnf/rychlo.pdf
备选标题
Icons on Ammo Boxes: Painting Life on the Remnants of Russias War in Donbas, 2014-21 (Ukrainian Voices)
备选标题
In Their Own Words: How Russian Propagandists Reveal Putins Intentions (Ukrainian Voices)
备选标题
Ein Land weiblichen Geschlechts: Ukrainische Frauenschicksale im 20. und 21. Jahrhundert
备选标题
Catching an Elusive Bird: The Life of Hryhorii Skovoroda (Ukrainian Voices)
备选标题
A Kind of Refugee: The Story of an American Who Refused to Leave Ukraine
备选作者
Oleksandr Klymenko, Sofia Atlanova, Anastasya Knyazhytska
备选作者
Larissa Babij, Vladislav Davidzon
备选作者
Vakhtang Kipiani
备选作者
Leonid Ushkalov
备选作者
Julia Davis
备用出版商
ibidem-Sachbuch. ein Imprint von Jessica Haunschild u. Christian Schön GbR
备用出版商
Jessica Haunschild u. Christian Schön GbR. ibidem-Verlag
备用版本
Ukrainian Voices, PT, 2024
备用版本
Germany, Germany
备用版本
New, US, 2024
备用版本
New, FR, 2024
备用描述
This collection of essays and articles, written between 2019 and 2023 for such outlets as The Daily Beast and The Center for European Policy Analysis (CEPA), illuminates recent Russian international affairs through the lens of Moscows propaganda tactics. For more than two decades, the Kremlins agitators have been tasked to lay, in advance, the groundwork for various domestic and foreign actions by the regime of Vladimir Putin. Thus, Russian state-controlled media provides crucial clues for deciphering theoften sinistergoals that the government of Russia was and is planning to pursue abroad, from election interference to military invasions. The goal of the sum of these activities is the establishment of a new world orderwith Russia at its helm.
Before the large invasion of 24 February 2022, Russian state media portrayed the West as incapable of opposing Russian aggression. Putins propagandists cheered for war against Ukraine, predicting it would be quick and victorious. Misreading the ability of the West to unite and miscalculating Russias capabilities in confronting determined Ukrainians, Russia ended up in a quagmire of its own creation.
In 2023, Putins decorated propagandists face the possibility of future scrutiny and potential prosecutions for their proactive incitement of genocide. They unravel, along with the Kremlin, having to tell multiple conflicting stories and condemn the same players they used to lionize. Backed into the corner, they resort to nuclear threats and demand even more blood from Ukraine, whose only crime is its desire for democracy and freedom.
Before the large invasion of 24 February 2022, Russian state media portrayed the West as incapable of opposing Russian aggression. Putins propagandists cheered for war against Ukraine, predicting it would be quick and victorious. Misreading the ability of the West to unite and miscalculating Russias capabilities in confronting determined Ukrainians, Russia ended up in a quagmire of its own creation.
In 2023, Putins decorated propagandists face the possibility of future scrutiny and potential prosecutions for their proactive incitement of genocide. They unravel, along with the Kremlin, having to tell multiple conflicting stories and condemn the same players they used to lionize. Backed into the corner, they resort to nuclear threats and demand even more blood from Ukraine, whose only crime is its desire for democracy and freedom.
备用描述
American-born Larissa Babij is at home in Kyiv when Russia launches its full-scale invasion of Ukraine on February 24, 2022. Her grandparents left Ukraine amidst the violence of World War II, and nearly 80 years later, she is fleeing the advancing Russian army. A Kind of Refugee chronicles the first year of all-out war in Ukraine through vivid dispatches that Babij sent to readers abroad. In cities flooded with refugees and bustling with humanitarian aid efforts, or while supporting an innovative military unit making DIY drones, Babij examines Ukrainian cultures of cooperation. Reflecting on her American upbringing, she ponders the premium that Western societies—shaped by the traumatic history of WW II—place on security. When she returns to Kyiv, sirens, Russian missile strikes, and long periods of darkness organize her days. This moving account of taking responsibility for your home and your history concludes with several essays on theater published between 2015 and 2021. Written with a fierce love for Ukraine and its people, this book is a testament to the courage of ordinary people committed to freedom while defending their homeland.
Erscheinungsdatum: 08.04.2024
Erscheinungsdatum: 08.04.2024
备用描述
This book has come out of the art project "Icons on Lids of Ammunition Boxes" initiated and led by Sofiia (Sonya) Atlantova and Oleksandr Klymenko. Painted on fragments of empty cartridge containers brought back from the front, the icons are silent witnesses to Russia’s covert war against Ukraine in the Donets Basin in 2014-2021. At the same time, they are testimony to the victory of life over death - not only in symbolic but also in real terms. Since the spring of 2015, the project was a volunteer initiative whose revenues support the Pirogov First Volunteer Mobile Hospital. This unit provided medical assistance to military personnel and civilians in the Anti-Terrorist Operation / Joint Forces Operation zone. The contributors to the book include Volodymyr Rafeyenko, Hennadiy Druzenko, Archimandrite Kyrylo Hovorun, George Weigel, and Zoya Chegusova.
Erscheinungsdatum: 08.04.2024
Erscheinungsdatum: 08.04.2024
备用描述
Poetisches Atlantis der Bukowina
„Margul, der gute Riese“
„Die schwarze Sappho unserer östlichen Landschaft“
„Gestrichenem im Lebensbuch / versagt die Welt die
Wiederkehr“
„Vergeßner Gast am Niemandstisch“
„Im Niemandsland des Lieds verloren“
„Robinson auf dem Eiland Manhattan“
„Zähle mich zu den Mandeln ...“
„Ich möchte den Himmel mit Händen fassen ...“
„Margul, der gute Riese“
„Die schwarze Sappho unserer östlichen Landschaft“
„Gestrichenem im Lebensbuch / versagt die Welt die
Wiederkehr“
„Vergeßner Gast am Niemandstisch“
„Im Niemandsland des Lieds verloren“
„Robinson auf dem Eiland Manhattan“
„Zähle mich zu den Mandeln ...“
„Ich möchte den Himmel mit Händen fassen ...“
开源日期
2024-06-11
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